Law in Contemporary Society

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ZanderWeissSecondEssay 3 - 12 Apr 2016 - Main.ZanderWeiss
Line: 1 to 1
 
META TOPICPARENT name="SecondEssay"
Deleted:
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UPDATE: I fixed the stanza formatting, but still have no idea how to make an apostrophe appear.
 The Seventeenth
Line: 31 to 29
 Nose to stone you learn the language- Build to the veneer.
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Blinking, blinking—never seeing
>
>
Blinking, blinking; never seeing
 That which causes Senseless blinking. Never once appreciating fear.
Line: 55 to 53
 Should you walk the path unbeaten, You may find a Most unsettling
Changed:
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Open field—your own unnat’ral Arc.
>
>
Open field: your own unnat'ral Arc.
 Shy away from self-inspection- Something for the pain.
Changed:
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Pour it heavy—pour it three times.
>
>
Pour it heavy; pour it three times.
 Feed the demons, Calm the tremors, Soak the soil with your new brand of stain.
Line: 72 to 70
 Welcome: Emotional Vagrancies.

Don the suit and play with players-

Changed:
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Don’t look down inside.
>
>
Don't look down inside.
 Vertigo awaits the searcher. Topsy turvy, Turn back outward. World turns too, and flattens out the slide.
Changed:
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<
Make the “novel” calculation-
>
>
Make the novel calculation-
 Give so you may take. Keep one foot inside your conscience. Come Reckoning,
Line: 97 to 95
 Forge the bonds and make connections. Look at people Not as people.
Changed:
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Don’t forget to go meet your partner.
>
>
Don't forget to go meet your partner.
 Greet the dawn with trepidation- Each day is a start. Each start gains its paranoia From the others, From the silence
Changed:
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<
Beck’ning you to lock away your heart.
>
>
Beck'ning you to lock away your heart.
 Hundred vacant helpless helpers- Peerless peers who peer.
Line: 113 to 111
 Reach my ears and Pull me from the loneliness of here.
Changed:
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<
Moment’s peace of real connection-
>
>
Moment's peace of real connection-
 Cut down by the clock. Substantive: the change of setting Seems to bring out
Line: 134 to 132
 Dilate pupils, Gaze upon the floor at all your gains.
Changed:
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<
Hop aboard with primed exub’rance-
>
>
Hop aboard with primed exub'rance-
 Cars back from the helm. Know not who conducts the engine As you whistle
Line: 151 to 149
 Buy into the buying into- Strong memetic stride. Comfort in the trail emblazoned
Changed:
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<
With the blazers’
>
>
With the blazers'
 Blazers that you Hope can manufacture you some pride.

Courting courts of every corpus- Implicated brand.

Changed:
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Hold together how you they hold you,
>
>
Hold together how they hold you,
 Sweating missiles As you yearn for Anonymity, the far off land.
Line: 178 to 176
 Comes the last approach the first time- Climb into the pit.
Changed:
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<
Wonder about others’ wond’rings:
>
>
Wonder about others' wond'rings:
 Do they dabble? Clean or ragged?
Changed:
<
<
Who’s to say what you should not permit?
>
>
Who's to say what you should not permit?
 Callous now the numbing ceases- Fool yourself tonight. Shunt the negative suggestions, Turning up to Turn them down and
Changed:
<
<
Make them know it’s not your place to fight.
>
>
Make them know it's not your place to fight.
 Guilt in droves at every angle- Let them make you up. Keep that shred of confirmation As you slink back Into borrowed
Changed:
<
<
Robes, still clenching someone else’s cup.
>
>
Robes, still clenching someone else's cup.
 Understand the farce unbreaking- Mass hypnotic march.
Changed:
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<
Who among us won’t point fingers?
>
>
Who among us won't point fingers?
 Who among us
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Won’t point fingers
>
>
Won't point fingers
 Out from under cover of the arch?

Empty eyes and salutations-

Line: 222 to 220
 Fein the valor look. Ride the costume from the collar, Choking on the
Changed:
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Mem’ry of the
>
>
Mem'ry of the
 Fiction you once battled on the hook.

Quiet now return to prior-

Line: 234 to 232
 Soon we will shed all approval- Take the step to then.
Changed:
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Cry out when the last bell’s finished.
>
>
Cry out when the last bell's finished.
 Brassy round tones Mark your essence, Riding on the missive and the pen.

ZanderWeissSecondEssay 2 - 11 Apr 2016 - Main.ZanderWeiss
Line: 1 to 1
 
META TOPICPARENT name="SecondEssay"
Changed:
<
<
Author's Note: Stanza formatting is wrong. Each block should be six lines (8 syllables-5 syllables-8-4-4-9).
>
>

UPDATE: I fixed the stanza formatting, but still have no idea how to make an apostrophe appear.
 The Seventeenth
Changed:
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<
One last step completes the picture—
>
>
One last step completes the picture-
 This, the seventeenth. Fill out all the jagged borders. Color empty. Back to tonic. Pull the shade in this, the seventeenth.
Changed:
<
<
Blinding flash and gates reopened—
>
>
Blinding flash and gates reopened-
 Ushered to the ball. Here, a map to acclamation. New seeds planted In the moist dirt, Watered in August before the Fall.
Changed:
<
<
The sun, the gifts, the folderol—
>
>
The sun, the gifts, the folderol-
 Debts unpaid made light. Reminded in the waking hours Of the privilege And the valor. The slow self-immolation at night.
Changed:
<
<
Nose to stone you learn the language—
>
>
Nose to stone you learn the language-
 Build to the veneer. Blinking, blinking—never seeing That which causes Senseless blinking. Never once appreciating fear.
Changed:
<
<
Choices made without your input—
>
>
Choices made without your input-
 Learn to own the toil. Now, begin to reap the harvest: Choose from those they Lay before you, Failing to recognize your own soil.
Changed:
<
<
Agency in precious context—
>
>
Agency in precious context-
 Find your place of work. Green or blue or red or purple. Pick a color, Any color. Otherwise, decide you are a clerk.
Changed:
<
<
Strapped into the rails established—
>
>
Strapped into the rails established-
 Keep out of the dark. Should you walk the path unbeaten, You may find a Most unsettling Open field—your own unnat’ral Arc.
Changed:
<
<
Shy away from self-inspection—
>
>
Shy away from self-inspection-
 Something for the pain. Pour it heavy—pour it three times. Feed the demons, Calm the tremors, Soak the soil with your new brand of stain.
Changed:
<
<
Put your heroes off to the side—
>
>
Put your heroes off to the side-
 No more vacancies.
Changed:
<
<
Put your lovers off to the side—
>
>
Put your lovers off to the side-
 Love yourself or Hate whatever. Welcome: Emotional Vagrancies.
Changed:
<
<
Don the suit and play with players—
>
>
Don the suit and play with players-
 Don’t look down inside. Vertigo awaits the searcher. Topsy turvy, Turn back outward. World turns too, and flattens out the slide.
Changed:
<
<
Make the “novel” calculation—
>
>
Make the “novel” calculation-
 Give so you may take. Keep one foot inside your conscience. Come Reckoning, You tell yourself: The You that collects is not a fake.
Changed:
<
<
Find the strength to make your statement—
>
>
Find the strength to make your statement-
 Strive to sing your song. Take your bow with qualified pride: Your voice is yours, Your words are yours, Your melody was theirs, all along.
Changed:
<
<
Look at people, all the people—
>
>
Look at people, all the people-
 Go meet the partner. Forge the bonds and make connections. Look at people Not as people. Don’t forget to go meet your partner.
Changed:
<
<
Greet the dawn with trepidation—
>
>
Greet the dawn with trepidation-
 Each day is a start. Each start gains its paranoia From the others, From the silence Beck’ning you to lock away your heart.
Changed:
<
<
Hundred vacant helpless helpers—
>
>
Hundred vacant helpless helpers-
 Peerless peers who peer. Does their silence spell compassion? See me reaching. Reach my ears and Pull me from the loneliness of here.
Changed:
<
<
Moment’s peace of real connection—
>
>
Moment’s peace of real connection-
 Cut down by the clock. Substantive: the change of setting Seems to bring out Truth in walkers, Notwithstanding vocational shock.
Changed:
<
<
Like your like likes like you liken—
>
>
Like your like likes like you liken-
 Cut the thorough voice. Keep it up and keep it down and Limit yourself To succinctness. Time affords you something like a choice.
Changed:
<
<
Cull the trim from crust of psyche—
>
>
Cull the trim from crust of psyche-
 Render what remains. Suck and lap the twelve point spittle. Churn the fingers, Dilate pupils, Gaze upon the floor at all your gains.
Changed:
<
<
Hop aboard with primed exub’rance—
>
>
Hop aboard with primed exub’rance-
 Cars back from the helm. Know not who conducts the engine As you whistle At the prospect Of careening toward a murky realm.
Changed:
<
<
Shiny couth imagination—
>
>
Shiny couth imagination-
 Lobbies filled with doors. Queue up for the realignment. The face remains A bright signal Powered by that prospect which restores.
Changed:
<
<
Buy into the buying into—
>
>
Buy into the buying into-
 Strong memetic stride. Comfort in the trail emblazoned With the blazers’ Blazers that you Hope can manufacture you some pride.
Changed:
<
<
Courting courts of every corpus—
>
>
Courting courts of every corpus-
 Implicated brand. Hold together how you they hold you, Sweating missiles As you yearn for Anonymity, the far off land.
Changed:
<
<
Falling on the sword before you—
>
>
Falling on the sword before you-
 Deep and wide, the Maw. Not quite choking on the thinner Layer of dust, You come back up, Gasping for perspective, tooth and claw.
Changed:
<
<
Hand in hand we keep toes pointed—
>
>
Hand in hand we keep toes pointed-
 Wincing in the wind. Drift apart, head facing downward, Looking for the Footsteps of the Pack of Yesterday, before it thinned.
Changed:
<
<
Comes the last approach the first time—
>
>
Comes the last approach the first time-
 Climb into the pit. Wonder about others’ wond’rings: Do they dabble? Clean or ragged? Who’s to say what you should not permit?
Changed:
<
<
Callous now the numbing ceases—
>
>
Callous now the numbing ceases-
 Fool yourself tonight. Shunt the negative suggestions, Turning up to Turn them down and Make them know it’s not your place to fight.
Changed:
<
<
Guilt in droves at every angle—
>
>
Guilt in droves at every angle-
 Let them make you up. Keep that shred of confirmation As you slink back Into borrowed Robes, still clenching someone else’s cup.
Changed:
<
<
Understand the farce unbreaking—
>
>
Understand the farce unbreaking-
 Mass hypnotic march. Who among us won’t point fingers? Who among us Won’t point fingers Out from under cover of the arch?
Changed:
<
<
Empty eyes and salutations—
>
>
Empty eyes and salutations-
 Title in a sound. Chuckle through insipid greetings Not quite present, Half-perceptive, Playing part and party from the ground.
Changed:
<
<
At the altar of your oneness—
>
>
At the altar of your oneness-
 Gather round. All rise. Pray to those who offer righteous Feeling with the Tinge of bitter. Prostrate now or rip off the disguise.
Changed:
<
<
Calling back the story spinners—
>
>
Calling back the story spinners-
 Fein the valor look. Ride the costume from the collar, Choking on the Mem’ry of the Fiction you once battled on the hook.
Changed:
<
<
Quiet now return to prior—
>
>
Quiet now return to prior-
 Count the grays in spades. Firm composure eking outward Just until the Morning calls to Offer up the sausage on the blades.
Changed:
<
<
Soon we will shed all approval—
>
>
Soon we will shed all approval-
 Take the step to then. Cry out when the last bell’s finished. Brassy round tones Mark your essence, Riding on the missive and the pen.

Changed:
<
<
Shortened glance without a claim check—
>
>
Shortened glance without a claim check-
 Witness your own gaze. Take the time to check your sides, but Never stop to Stop or stop to Try to see the haze as merely haze.
Changed:
<
<
One last step completes the picture—
>
>
One last step completes the picture-
 This, the seventeenth. Fill out all the jagged borders. Color empty. Back to tonic. Pull the shade in this, the seventeenth.
Added:
>
>
 \ No newline at end of file

ZanderWeissSecondEssay 1 - 11 Apr 2016 - Main.ZanderWeiss
Line: 1 to 1
Added:
>
>
META TOPICPARENT name="SecondEssay"
Author's Note: Stanza formatting is wrong. Each block should be six lines (8 syllables-5 syllables-8-4-4-9).

The Seventeenth

One last step completes the picture— This, the seventeenth. Fill out all the jagged borders. Color empty. Back to tonic. Pull the shade in this, the seventeenth.

Blinding flash and gates reopened— Ushered to the ball. Here, a map to acclamation. New seeds planted In the moist dirt, Watered in August before the Fall.

The sun, the gifts, the folderol— Debts unpaid made light. Reminded in the waking hours Of the privilege And the valor. The slow self-immolation at night.

Nose to stone you learn the language— Build to the veneer. Blinking, blinking—never seeing That which causes Senseless blinking. Never once appreciating fear.

Choices made without your input— Learn to own the toil. Now, begin to reap the harvest: Choose from those they Lay before you, Failing to recognize your own soil.

Agency in precious context— Find your place of work. Green or blue or red or purple. Pick a color, Any color. Otherwise, decide you are a clerk.

Strapped into the rails established— Keep out of the dark. Should you walk the path unbeaten, You may find a Most unsettling Open field—your own unnat’ral Arc.

Shy away from self-inspection— Something for the pain. Pour it heavy—pour it three times. Feed the demons, Calm the tremors, Soak the soil with your new brand of stain.

Put your heroes off to the side— No more vacancies. Put your lovers off to the side— Love yourself or Hate whatever. Welcome: Emotional Vagrancies.

Don the suit and play with players— Don’t look down inside. Vertigo awaits the searcher. Topsy turvy, Turn back outward. World turns too, and flattens out the slide.

Make the “novel” calculation— Give so you may take. Keep one foot inside your conscience. Come Reckoning, You tell yourself: The You that collects is not a fake.

Find the strength to make your statement— Strive to sing your song. Take your bow with qualified pride: Your voice is yours, Your words are yours, Your melody was theirs, all along.

Look at people, all the people— Go meet the partner. Forge the bonds and make connections. Look at people Not as people. Don’t forget to go meet your partner.

Greet the dawn with trepidation— Each day is a start. Each start gains its paranoia From the others, From the silence Beck’ning you to lock away your heart.

Hundred vacant helpless helpers— Peerless peers who peer. Does their silence spell compassion? See me reaching. Reach my ears and Pull me from the loneliness of here.

Moment’s peace of real connection— Cut down by the clock. Substantive: the change of setting Seems to bring out Truth in walkers, Notwithstanding vocational shock.

Like your like likes like you liken— Cut the thorough voice. Keep it up and keep it down and Limit yourself To succinctness. Time affords you something like a choice.

Cull the trim from crust of psyche— Render what remains. Suck and lap the twelve point spittle. Churn the fingers, Dilate pupils, Gaze upon the floor at all your gains.

Hop aboard with primed exub’rance— Cars back from the helm. Know not who conducts the engine As you whistle At the prospect Of careening toward a murky realm.

Shiny couth imagination— Lobbies filled with doors. Queue up for the realignment. The face remains A bright signal Powered by that prospect which restores.

Buy into the buying into— Strong memetic stride. Comfort in the trail emblazoned With the blazers’ Blazers that you Hope can manufacture you some pride.

Courting courts of every corpus— Implicated brand. Hold together how you they hold you, Sweating missiles As you yearn for Anonymity, the far off land.

Falling on the sword before you— Deep and wide, the Maw. Not quite choking on the thinner Layer of dust, You come back up, Gasping for perspective, tooth and claw.

Hand in hand we keep toes pointed— Wincing in the wind. Drift apart, head facing downward, Looking for the Footsteps of the Pack of Yesterday, before it thinned.

Comes the last approach the first time— Climb into the pit. Wonder about others’ wond’rings: Do they dabble? Clean or ragged? Who’s to say what you should not permit?

Callous now the numbing ceases— Fool yourself tonight. Shunt the negative suggestions, Turning up to Turn them down and Make them know it’s not your place to fight.

Guilt in droves at every angle— Let them make you up. Keep that shred of confirmation As you slink back Into borrowed Robes, still clenching someone else’s cup.

Understand the farce unbreaking— Mass hypnotic march. Who among us won’t point fingers? Who among us Won’t point fingers Out from under cover of the arch?

Empty eyes and salutations— Title in a sound. Chuckle through insipid greetings Not quite present, Half-perceptive, Playing part and party from the ground.

At the altar of your oneness— Gather round. All rise. Pray to those who offer righteous Feeling with the Tinge of bitter. Prostrate now or rip off the disguise.

Calling back the story spinners— Fein the valor look. Ride the costume from the collar, Choking on the Mem’ry of the Fiction you once battled on the hook.

Quiet now return to prior— Count the grays in spades. Firm composure eking outward Just until the Morning calls to Offer up the sausage on the blades.

Soon we will shed all approval— Take the step to then. Cry out when the last bell’s finished. Brassy round tones Mark your essence, Riding on the missive and the pen.

Shortened glance without a claim check— Witness your own gaze. Take the time to check your sides, but Never stop to Stop or stop to Try to see the haze as merely haze.

One last step completes the picture— This, the seventeenth. Fill out all the jagged borders. Color empty. Back to tonic. Pull the shade in this, the seventeenth.


Revision 3r3 - 12 Apr 2016 - 03:31:01 - ZanderWeiss
Revision 2r2 - 11 Apr 2016 - 15:47:41 - ZanderWeiss
Revision 1r1 - 11 Apr 2016 - 00:15:43 - ZanderWeiss
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