Law in Contemporary Society

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BartlebyAnalysis 14 - 29 Mar 2012 - Main.SkylarPolansky
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Bartleby—A Law Student's Analysis

This short piece addresses the reflection narrator sees of himself in Bartleby in Herman Melville's short story, "Bartleby, the Scrivener: A Story of Wall Street."

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 And so the next issue I began to ponder is how to assure we are not haunted similarly; how to identify our own Bartleby's if confronted with them rather than rationalizing their presence away, whether by "charity" to clear our consciences, or by other means. I suppose a starting point might be to at least strive to become conscious and aware if/when "something splits" in ourselves. Ultimately I think coming to inner resolution, avoiding a life haunted by a Bartleby-esque projection of yourself, is first identifying that you're being haunted, and subsequently committing to using that revelation to "inspire change in the face of self-realization and human awakening" as Meagan suggests. So Meagan, I guess I'm not entirely sure whether Bartleby catalyzed a metamorphosis in the narrator, but I am at least hopeful that Bartleby has the capacity to serve as a ghost of Christmas future, if the person he is haunting is able to recognize that he is being haunted.

-- CourtneyDoak - 29 Mar 2012

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I found Jason and Courtney's perceptions that the narrator needs to get rid of Bartleby interesting because I had an opposite reaction to Bartleby. I felt the lesson learned from the story was that the narrator would never be rid of Bartleby, and instead he had to learn to incorporate Bartleby comfortably into the Narrator's office and soul. My first interpretation of Bartleby was that he represented the narrator's Freudian "id". Bartleby would simply prefer not to do real work. He wants to live in the office and subsist off of his co-workers, and store away money for use later. Turkey (who has a proclivity for drinking) believes Bartleby just needs to drink more. Other lawyers and professionals (perhaps representing the "super-ego") are disturbed by Barleby's presence; they are disturbed when confronted with the true desire of the narrator - somebody who prefers and chooses not to do work yet collects their money and ferrets it away in his desk. I felt like in order to restore cognitive peace, the narrator needed to stop shielding Bartleby behind a screeen, not make excuses for him (i.e. his eyes were ruined) and instead accept Bartleby for what he was - a naked manifestation of the narrator's true desires. Instead of running away from him the narrator needs to incorporate Bartleby into his office, and if he finds it too unbearable to be presented with such a figure, then he needs to change his id.

-- SkylarPolansky - 29 Mar 2012


Revision 14r14 - 29 Mar 2012 - 16:01:14 - SkylarPolansky
Revision 13r13 - 29 Mar 2012 - 14:59:41 - CourtneyDoak
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